Original sheet front page (1932) |
Original theatre poster (1932) |
Original film poster (1934) |
Original film poster (1946) |
The construction of Night and Day is unusual for a hit song of the 1930s. Most popular tunes then featured 32-bar choruses, divided into four 8-bar sections, usually with an AABA musical structure, the B section representing the bridge. Porter's song, on the other hand, has a chorus of 48 bars, divided into six sections of eight bars—ABABCB—with section C representing the bridge. (info above excerpted from Wikipedia, here )
Night And Day has been recorded by numerous artists, both as an instrumental and with Porter's lyrics by various vocalists. Below I'll insert some examples within a jazz context. - Here's first a recording by Ray Ventura and his Orchestra of Night And Day with vocal by an unidentified singer
In 1938, the singer Maxine Sullivan recorded her version of Night And Day
From the album Charlie Parker plays Cole Porter, here's his version of Night And Day recorded with big band March 25, 1952 in New York
Another great instrumental of Night And Day was recorded by Art Tatum (p), Roy Eldridge (tp), John Simmons (b), Alvin Stoller (d) in 1955
One of my all time favorite instrumental recordings of Night And Day was recorded by Oscar Alemán y su Orquesta de Jazz for Odeon (Odeon 74265, mx 20199) as Noche Y Día on May 30, 1955 inserted below to end this small entry on a famous song
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Jo
keepitswinging.domain@gmail.com
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