Joe Pass 1975 (photo courtesy Tom Marcello Webster, Wikipedia) |
In addition to his ensemble performances, Joe Pass is regarded as an influential solo guitarist. His solo style was marked by an advanced linear technique, sophisticated harmonic sense, counterpoint between improvised lead lines, bass figures and chords, spontaneous modulations, and transitions from fast tempos to rubato passages. He would regularly add what he called "color tones" to his compositions, to give what he believed was a more sophisticated and "funkier" sound. He would often use melodic counterpoint during improvisation, move lines and chords chromatically or play melodies by solely shifting chords, and descending augmented arpeggios at the end of phrases. - As Pass made the transition from ensemble to solo guitar performance, he preferred to abandon the pick altogether, and play fingerstyle. He found this enabled him to execute his harmonic concepts more effectively. (info excerpted from Wikipedia, here)
Joe Pass at the Montreux Jazz Festival 1975 (OJC CD, 1997) |
There are eleven tracks from the solo live performance of Joe Pass at the Montreux Jazz Festival 1975 on the CD, mostly standards but also three Pass compositions (info, here). The performance at the two concerts July 17 and 18 was also recorded on video, below I'll insert a couple of examples uploaded at You Tube. Here is first Joe Pass performing Stevie Wonder's popular tune You Are the Sunshine of My Life
Another video fragment from the same live performance has Joe Pass playing Ray Noble's The Very Thought Of You
To end this small presentation of a magnificent jazz guitar solo live album, I'll insert the uploaded audio video from You Tube of Joe Pass' solo performance of Django Reinhardt's Nuages - enjoy!
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Jo
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