Original sheet music (1915) |
Sheet music (1921) |
Although novelty piano has structural and stylistic similarities to the earlier ragtime form, there are also distinct differences. Ragtime was generally sold in the form of sheet music, so it was important to keep it simple enough to be played by the competent amateur. By the mid-teens, though, two new technologies had appeared which allowed the general public to hear music as performed by skilled musicians: the "hand-played" piano roll and the phonograph record. Novelty piano was developed as a vehicle to showcase the talents of these professionals, and was thus more often sold in the form of recordings and piano rolls than as sheet music. It was a new "turbo-charged" piano form, infused with chromatic piano roll flourishes, and influenced by the "modernistic" sounds of the art-deco twenties (which were themselves largely adopted from the French "Impressionist" pianists such as Debussy and Satie; "novelty" pianists tended to be highly classically trained, they were fully familiar with such "modern" pianists, and their fondness for complex chordal intricacies). (info extracted from Wikipedia, here )
Zez Confrey (1895 - 1971) |
As mentioned, Zez Confrey had a huge hit with his novelty ragtime composition Kitten on the Keys. Below I'll insert a few more examples of his most popular compositions. Here's first the 1923 Dizzy Fingers
Original sheet music (1922) |
Another sheet issue of Stumbling |
Confrey's novelty rags were also recorded by larger ensembles, for some time he had a contract with Victor to make recordings for the growing market of dance records. Here we'll end this small intro to the novelty piano tradition by inserting Paul Whiteman and his orchestra's version of Stumbling - a hit for the orchestra and with the dancing public
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Jo
keepitswinging.domain@gmail.com
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