CD front: Ice 'n Slice Records 89065-2 |
"Around '79 or so I did my last solo recordings. I hardly performed in those days. I had a regular job in systems programming, but after eight years it drove me physically as well as mentally over several edges, so by '83 I quit and tried to make a living by playing, safely, in the backline of several bands. Since then I have done a lot of different things: orchestras, bands, trio's, duo's, theatre, radio, television, studio's, the lot. Played and accompanied the whole caboodle, from Transylvanian fiddle tunes to free jazz, from the classics to New Orleans funk. Broadened my horizons, learned loads since my blues-based beginner days. All these influences have left their mark on my approach to fingerpicking. So now, like in Plato's cave, I'm returning to the scene of the crime with a different set of tools. Same brain, face and fingers, but a different guy, and if you think it isn't good any more: do have the courtesy to grant this pig his mud."
Ton van Bergeijk (photo courtesy tonvanbergeijk.nl) |
CD disc, Ice 'n Slice Records 89065-2 |
A couple of more quotes from Ton's comprehensive notes with the CD may help the reader of this short review to further imagine the amount of experience and work which is the background of the presented music.
About his inspiration as a guitar player, Ton says: "I've always been interested in the blues and jazz guitarists of the interbellum period, but in a way that would provide me with fantasies of how they thought about their guitar, whether these fantasies were true to reality or not. That way you can use their "guitar-brains" to your own advantage." And about piano inspiration, he adds " I have always been influenced by pianists, maybe more so than by guitarists. Especially New Orleans guys like [James] Booker or [Mac] Rebennack [aka Dr. John]: they've always made the connection for me with classic jazz and therefore effectively opened my window towards post war rhythm & blues. The New Orleans piano styles in my mind have the quality of being chord-based rather than scale-based, which makes it more adaptable to guitar interpretations ..."
This is valuable information for other guitarists with interest in studying Ton's approach and the recorded tunes, which in addition have been transcribed in tablature and regular music notation in the accompanying booklet. Later the recorded tunes will be followed by some video lessons to let other guitarists have the opportunity to further study the music and the amazing technique applied by this Dutch wizard of the contemporary fingerpicking guitar. Learn more about the CD and the future project of video lessons by visiting the official website, here
Ton van Bergeijk (photo courtesy www.tonvanbergeijk.nl) |
Jo
keepitswinging.domain@gmail.com
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